I have no problem with movies which present narratives in fantasy and real worlds, where the former can be explained by reference to the latter (Wizard of Oz, A Matter of Life and Death etc.). Neither do I have a problem with stories where seemingly disconnected threads twine together by the conclusion - after all, if you track back any incident in real life to origin points in the lives of participants, then take those as individual starting points, you will end up with something which looks like coincidence.
My problems came from something rather more fundamental. Number one, the four stories simply weren't very good. For much of the film I found myself thinking "When these threads finally make contact with each other, the payoff had better be spectacular if it's going to justify sitting through this tedium." Well, the payoff was distressingly inadequate.
Number two, while I don't have any problem with coincidence per se, I do like my coincidences to be credible. The denouement here required three certifiable nutjobs (schizo soldier, suicidal art student, full-on imaginary befriender) to wind up in the same place at the same time for no reason other than coincidence. Pull the other one, do.
Number three, you could have removed Milo's thread completely and it would have had no effect on the rest of the movie. That shows how completely inconsequential it was in terms of narrative importance.
As far as films go I'm generally easily pleased, and have thoroughly enjoyed movies which have come in for some heavy duty criticism. But I do like to be entertained and I don't like being bored. This film bored me and failed to entertain me and left me feeling distinctly unsatisfied. I got the impression that the film thought it was a great deal cleverer than I thought it was.
Bernard Hill was excellent: his character was boring. Eva Green was excellent: her character Emilia wasn't boring (Sally was, though). She was sexy and deeply worrying - she can be very scary. She was much more scary than Ryan Phillippe who left no impression on me at all. Neither did Sam Riley.
Oh, and who or what is Franklyn? I know Bernard Hill queried seeing the name on some document or other (with no explanation or clarification), but did I miss it being mentioned elsewhere?
Basically this film bored me to tears ,thought it sounded interesting and refreshingly different but I was sadly mistaken. I then decided to watch daywalkers on the same evening (looking for some vampiric action filled entertainment), you can read my in depth review in another thread.
